Watch Drive Angry 3D online for free

As the film before the Drive Crank Angry seeks directly to its target audience - trash-loving (mostly) men who happily subscribe to "so bad it's bloody brilliant" mantra. "Nicolas Cage, overacting, and block the blows? Sold! It's 3D? Even better!"
There is therefore no surprise that the role is the language Angry wedged firmly in cheek. Gleefully absurd plot (Cage escapes from Hell! Sports Car!), Nicolas Cage covers for his cheesy side with reckless abandon, and enough one liners and cheesy retorts to give Schwarzenegger's hard-on ("I thought you were dead!" You hoped was dead. "). Cage is a superbly silly form, enjoying his dialogue and play it directly in front of madness. Equally brilliant is William Fichtner as "accounting," a worker of Satan, whose task is to restore the Cage to hell, play quirky, sleek, nervous opponent, Fichtner clearly enjoy such over-the-top role.
But the film does not just rely on (above) to perform the laughs, the same has been invested in the individual set-pieces, slow-motion sex scene in Shoot-out (!) Really stand out. Cage, "I will never take off before the shooting" a prelude silliest scenes outside the straight-up spoof film in years. Without ruining the scene too much, it's hilariously stupid and not the least bit ashamed of themselves.
Also of special note of how well the 3D recovered. One of the genre lends itself to 3D really is a schlocky horror director Patrick Lussier who knows everything, having previously helmed a surprisingly enjoyable remake of My Bloody Valentine. What makes horror scary? (Or at least more entertaining?) When you jump off the screen. So when a supernatural action comedy from the bullets flying everywhere and explosions left right and center, it is wise to 3D, adding that instinctive "ducking" 3D face the bullets flying public will already winning formula.
"For all its unabashed silliness, Drive Angry is not its flaws, however. The plot, which the cult of the murder of Cage's daughter and the child's tendency to snatch a little confusing, not helped by a fairly flat performance of Billy Burke, a cult director Jonathan King, somewhat adrift in the film is dominated by Cage and Fichtner. Amber Heard is also the nature of Piper, who is described as a strong, ass-kicking woman, has derailed the movie is pretty clumsy corporate feminism and Piper, unfortunately, ends up being just a standard price of eye-candy. Later in the scene in which Cage's old friend (played by David Morse), whose purpose is to provide the background story, it feels completely tacked on and will only slow the breakneck pace of the third act otherwise.
Overall, however, Drive Angry ticks all the right boxes and provides intentionally ludicrous spectacle of a truly benefit from 3D, and delighting in the wonderful daftness. Spot turns Cage and Fichtner to really make the film, which is deliberately ridiculous, and all the better.
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